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George Jean Nathan (1882-1958) was the leading American drama critic of his time. Active from 1905 to 1958, he published thirty-four books on the theatre, co-edited The Smart Set and The American Mercury with H. L. Mencken, and zealously practiced "destructive" theatre criticism. Nathan wrote during the most important period of our theatre's history and set critical standards that are still being followed. In his will he established the annual George Jean Nathan Award for drama criticism.
George Jean Nathan was born in Fort Wayne, Indiana, on February 14, 1882. Initially Nathan was educated by tutors at home and while abroad. After Nathan's father left the family, Nathan's mother took them to Cleveland, Ohio, where he was graduated from that city's high school. On his mother's side, the German Nirdlingers, there were rugged pioneers who literally crossed the country in a covered wagon from Chambersburg, Pennsylvania to settle Fort Wayne. Nathan's maternal grandfather was one of the founders of this frontier trading post. Two of Nathan's maternal uncles were to influence his career as a drama critic. Charles Frederic Nirdlinger was a playwright and drama critic who encouraged Nathan's entrance into journalism. Uncle Samuel Nixon-Nirdlinger was an important theater manager who secured free tickets for Nathan's family.
On his father's side Nathan was French; his father, Charles Naret Nathan, was the son of a Parisian attorney. He was one of the owners of the Eugene Peret vineyards in France and of a coffee plantation in Brazil, but his primary income came from his wholesale liquor business. Nathan's father spoke eight languages fluently and took frequent business trips to Europe. All through Nathan's childhood the family spent alternate summers in Europe. Young George was thus brought up in an aristocratic and cosmopolitan atmosphere. Nevertheless, Nathan harbored a lifelong dread that his family's Jewish origin would be exposed. He suppressed any mention of his Jewishness and even fabricated a story that his mother attended the same convent school, St. Mary's Academy, as Eugene O'Neill's mother. Mrs. Nathan had converted later in her life and several of his uncles had attended the Catholic boys' school affiliated with St. Mary's Academy, but there is no record of her attending St. Mary's.
Nathan attended Cornell University where he was a champion fencer. He also edited the Sun, the college newspaper, and the Widow, Cornell's humor magazine. After being graduated in 1904, he did not pursue a master's degree from the University of Bologna. This canard stems from the sham biographies Nathan and Mencken circulated during their Smart Set years. It is an example of his occasionally forced humor--who but Nathan would claim a degree from "Baloney U." In fact, Nathan took a cub reporter's job at the New York Herald that his uncle secured for him. Two years later Nathan managed to get himself a third-string reviewer's post, and with his notice of Bedford's Hope, the most important career in 20th century American dramatic criticism was launched.
Dissatisfied with the daily grind at the Herald, Nathan left the newspaper and began writing for magazines. It was here that he began to make his mark as critic. In 1908 he joined The Smart Set as its dramatic critic and met H. L. Mencken, its book reviewer. The two became friends and in 1914 assumed joint editorship of The Smart Set.
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