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Jean sale biography

Antoine de La Sale's Le Petit Jehan de Saintré, or Jean de Saintré is one of the most important works of prose fiction of the later Middle Ages. It has been hailed as one of the first historical novels for its account of what purports to be the chivalric biography of a historical knight, the fourteenth-century Jean of Saintré (1320-68), who was seneschal of Anjou and Maine. But, as we shall see, La Sale's account of the glorious exploits of knight who lived a hundred years prior to the book's composition bears often only a tenuous relationship to historical events: the author's agenda extends well beyond providing an accurate account of the past. Written in the last days of the flowering of chivalry, poised on the threshold of the print revolution, Saintré can also be rightly considered one of the last great medieval compilations. Among the many materials incorporated within the fictional love story that will be described below, Saintré includes a treatise on the seven deadly sins; tracts on the Beatitudes and the seven virtues; advice about personal grooming; numerous detailed descriptions of clothing and armor; lengthy set pieces recounting ceremonial tournaments and other combats; as well as a conclusion strongly evoc ative of a fabliau. This fascinating brassage of sacred and profane, fictional and historical, serious and comic modes has long intrigued critics and has earned Saintré as place in the French canon as a precursor to Rabelais, Madame de La Fayette, and Laclos.Written in 1456 for Jean, Duke of Calabria, son of King René of Anjou, Jean de Saintré has long been prized for its accounts of chivalric exploits, heraldic blazons, and lavish costumes and for its sharp observation of social relations in a pseudo-historical court, the romance has also delighted readers with its seeming upending of courtly conventions in the last part of the romance, when a lusty monk cavorts with the earnest young knight's lady love and makes a laughingstock of self-proclaimed chivalric heroes, before being painfully punished by the hero for his wicked tongue. The splendid scenes at court, the comic undercutting of the hero, and the ironic twists and turns of the plot recounting a youth's social ascension from lowly page to one of the finest knights
in the realm have ensured Jean de Saintré a place in the pantheon of late medieval French romances.Nonetheless, certain aspects of Saintré have given readers pause. The romance includes lengthy didactic passages and citations from church doctrine that would seem more appropriate for a devotional treatise than a romance. La Sale's ample descriptions of clothing and livery, weaponry, heraldry, and chivalric protocol sometimes overwhelm the narrative thread. Indeed, as one critic has calculated, the love story that frames and supports the romance—the tale of Jean, Madame, and Lord Abbot—occupies less than a quarter of the text. Readers interested primarily in the amorous intrigue may feel annoyed by what have been described as "ponderous moral, philosophical, or religious digressions that add nothing to the story being told" and as rather "laborious reports" of knightly processions and combats. Yet it is precisely Saintré's mosaic of discursive registers and its blended interlace of literary genres—courtly romance, didactic treatise, chivalric biography, heraldic handbook, fabliau—that make it such an intriguing example of a late medieval didactic romance. Furthermore, this same amalgam of diverse styles, multiple voices, and different registers has earned Saintré recognition as a harbinger of modernity from Julia Kristeva.

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