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But on tour in the late 1960s and the 1970s, the heyday of the Allman Brothers Band, when he wrote songs like “Midnight Rider,” “Melissa” and “Whipping Post,” Mr. Allman’s nickname was Coyotus Maximus. Women threw themselves at him, and he devoured them. He didn’t have the heart to turn many away.One of the great virtues of “My Cross to Bear,” his slightly better-than-average rock memoir, is how frank Mr. Allman is about the perks of being a tall, blond, intricately bewhiskered white rock god in skinny jeans who can bellow the blues like a black man. “Foxy ladies,” he recalls, wheezily, “there was oodles of them.”Mr. Allman’s book is so wriggling with amorous women that it can resemble a Feydeau farce performed mostly in panties. The band’s early road manager made a chart with the legal age of consent in every state, and made sure each member had a copy.“I would have women in four or five different rooms,” Mr. Allman says about hotels. “Mind you, I wouldn’t lie to anybody; I’d just say, ‘I’ll be right back.“My Cross to Bear” has a lot of absurd tour stories, so many that you’re not surprised to learn that the Allman Brothers were, in no small part, the inspiration for the band in Cameron Crowe’s excellent and fond rock film, “Almost Famous.” These tales, tall and small, have been untangled and crisply ironed by Mr. Allman’s co-writer, the music journalist Alan Light (who often writes for The New York Times).
Mr. Allman’s story, like his singing voice, has a lode of heartbreak in it. When Mr. Allman was just 2, growing up in Nashville, his father, a man who had stormed the beaches of Normandy during World War II, was shot in the back and killed by a stranger to whom he’d offered a ride home from a bar.The death of his brother, Duane, was a bigger blow. A year apart, they were best friends. They attended military school together, and both learned to play guitar on a Silvertone that Gregg purchased for $21.95 at Sears. Duane was the preternaturally talented one. In 2003 Rolling Stone magazine voted him the second-best guitarist of all time, after only Jimi Hendrix. One of their early bands, founded in 1965, was named the Allman Joys. A few months earlier, Gregg Allman had dodged fighting in Vietnam by (a) studying a foot chart; (b) getting drunk; (c) drawing a target on his moccasin; and (d) blasting a hole in his foot with a shaky pistol. His aim was perfect.When the musicians that became the Allman Brothers came together, Mr. Allman wanted to call the band Beelzebub. Duane wanted to name it after something trippy from “The Lord of the Rings.” Cooler heads prevailed.The band adopted an early mushroom logo, a reference to the members’ early fondness for psychedelic mushrooms; these seriously loosened up the creative process. “That music,” he writes, “would come oozing out of our band.”Duane Allman died just as the Allman Brothers’ third album, “At Fillmore East,” was climbing the charts, putting them permanently on the map. (They’d already recorded a bit of their classic 1972 LP, “Eat a Peach.”) Mr. Allman is bereft that his brother missed most of the band’s ride.“We were like Lewis and Clark, man — we were musical adventurers, explorers,” he writes. “We were one for all and all for one.”Not all of the comedy and excess in “Cross to Bear” is sexual. When the band walked for the first time onto its biggest touring airplane, a Boeing 720, someone had spelled out “Welcome Allman Bros” in cocaine on the bar.There’s comedy, too, for us, if not for Mr. Allman, in watching him sign away the publishing rights to some of his own songs.

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